QUINCY JONES — The Birth of a Band Volume 2

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3.00 | 2 ratings | 1 review

Album · 1984

Tracklist

A1 Moanin' 3:10
A2 Happy Faces 2:42
A3 Daylie Double 6:01
A4 Choo Choo Ch'boogie 2:26
A5 Syncopated Clock 2:43
B1 A Parisian Thoroughfare 3:47
B2 The Midnight Sun Will Never Set 2:21
B3 Marchin' The Blues 2:41
B4 G'wan Train 2:59
B5 Pleasingly Plump 2:27
B6 The Preacher 2:52

Line-up/Musicians

Quincy Jones (trumpet),
Joe Newman (trumpet),
Sahib Shihab (saxophone),
Zoot Sims (saxophone),
Frank Wess (flute),
Phil Woods (saxophone),
Patti Bown (piano),
Jimmy Cleveland (trombon),
Urbie Green (trombon),
Milt Hinton (bass),
Ernie Royal (trumpet),
Clark Terry (trumpet),
Sam Woodyard (drums)

About this release

Mercury ‎– 195J-30 (Japan)

Thanks to snobb for the addition

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In the late 50s, when Quincy Jones recorded his successful “The Birth of a Band” big band album, he recorded several tunes that did not make the final cut for that original release. Flash forward to 1984 and the Japanese division of Mercury decides to put out those cast aside cuts as “Birth of a Band volume II”. A quick listen to Volume II and its immediately apparent why these tracks were cast aside. Whereas Volume I is mostly high quality jazz tracks, the tunes on Volume II veer more into pop, easy listening and oddly appealing cheezy ditties of different types. Sure Volume II is light on content, but this is still Quincy Jones, and if you have a taste for this kind of orchestrated pop jazz and the swanky sophisticated side of late 50s/early 60s easy listening, you have come to the right place.

Volume II opens with the well known kitsch classic, Leroy Anderson’s “Syncopated Clock”. This one may sound familiar to some, because it was released as a single long before Volume II came out. After “Clock” we get some revved up swing revival, several corny pop RnB tracks that recall 60s dance shows like “Hullabaloo”, and a very nice pop-jazz version of “The Midnight Sun Will Never Set”. Also included in this mish-mash of tunes are a couple of out-takes of tracks from Volume I, including “Moanin” and “Happy Faces”. The final four cuts on Volume II get back into more of a jazz vein, although in a condensed pop influenced manner.

Recent re-issues of the original “Birth of a Band” have included the cuts from Volume II under the title “The Complete Birth of a Band”, and jazz fans could not be more unhappy. The pop cuts from Volume II have not set well with fans of the original Volume I. All the same, I think there is a fan base for these clever and well orchestrated pop tunes. Any fan of early sophisticated easy listening LPs and those ‘swingin bachelor pad’ type retro collections, and even fans of exotica, may find a lot to like on “Birth of a Band Volume II”. The sound Quincy presents on here went on to be a big influence on TV soundtracks in the 60s.